A Very Gallant Gentleman, 1913, by John Charles Dollman (1851–1934), 70in by 40in, The Cavalry and Guards Club, London
Simon Hart says: I’ve always been fascinated by feats of human endurance and none could have been more extreme than the race to the Pole, or involved such bravery and tragedy. This picture somehow manages to capture all of that, including the vicious cold and Capt Oates’s eventual recognition that the end had come. For any artist to create such drama and emotion from a scene of almost total whiteout is a great skill. The hint of light in the tent that Capt Oates is leaving behind for the last time only helps underline the bravery of him and his team.
Simon Hart is the Chairman of the Countryside Alliance and MP for Carmarthen West & South Pembrokeshire
John McEwen comments on A Very Gallant Gentleman: From The Last Expedition of Captain Scott (1913): ‘Tuesday, March 6: Poor Oates is unable to pull…his spirits only come up in spurts now, and he grows silent in the tent.’
‘Friday, March 16 or Saturday 17: Poor Titus Oates said he couldn’t go on; he proposed we should leave him in his sleeping-bag. That we could not do... At night he was worse... he woke in the morning—yesterday. It was blowing a blizzard. He said: “I am just going outside and may be some time”... though we tried to dissuade him, we knew it was the act of a brave man and an English gentleman. We all hope to meet the end with a similar spirit.’ Scott and his two surviving companions, Wilson and Bowers, died 12 days later.
Oates had fought (and been recommended for a VC) in the Second Boer War, during which a severe wound made his left leg, worse affected by gangrene and frostbite in Antarctica, shorter than his right. Scott selected him to handle the expedition ponies; the old Etonian Oates also contributed today’s equivalent of £50,000 towards costs.
Oates’s nicknames were ‘Titus’ and ‘The Soldier’. ‘The Soldier takes a gloomy view of everything, but I’ve come to see that this is a characteristic of him,’ wrote Scott. Oates wrote of Scott: ‘It is himself first, the rest nowhere.’
John Charles Dollman was a frequent exhibitor at the royal Academy and a magazine illustrator, said to have been admired by van Gogh. This picture was commissioned by members of Oates’s club, The Cavalry and Guards.
** Read all the articles in our My Favourite Painting series
-
The London house where Rolls-Royce's co-founder Charles Rolls tinkered with his very first car is for sale at £17 millionCharles Rolls, the engineer and co-founder of Rolls-Royce, got his hands dirty when using the stables of this fine London home as a makeshift garage. Annabel Dixon reports.
-
The sparkling history of the match and why its inventor never got the credit he deservedWe’ve been using matches for 200 years–but, as Rob Crossan discovers, the story of how they came to be is far more colourful (and hair-raising) than we might imagine.
-
'As a child I wanted to snuggle up with the dogs and be part of it': Alexia Robinson chooses her favourite paintingAlexia Robinson, founder of Love British Food, chooses an Edwin Landseer classic.
-
The Pre-Raphaelite painter who swapped 'willowy, nubile women' for stained glass — and created some of the best examples in BritainThe painter Edward Burne-Jones turned from paint to glass for much of his career. James Hughes, director of the Victorian Society, chooses a glass masterpiece by Burne-Jones as his favourite 'painting'.
-
'I can’t look away. I’m captivated': The painter who takes years over each portrait, with the only guarantee being that it won't look like the subjectFor Country Life's My Favourite Painting slot, the writer Emily Howes chooses a work by a daring and challenging artist: Frank Auerbach.
-
My Favourite Painting: Rob HouchenThe actor Rob Houchen chooses a bold and challenging Egon Schiele work.
-
My Favourite Painting: Jeremy Clarkson'That's why this is my favourite painting. Because it invites you to imagine'
-
The chair of the National Gallery names his favourite from among the 2,300 masterpieces — and it will come as a bit of a shockAs the National Gallery turns 200, the chair of its board of trustees, John Booth, chooses his favourite painting.
-
'A wonderful reminder of what the countryside could and should be': The 200-year-old watercolour of a world fast disappearingChristopher Price of the Rare Breed Survival Trust on the bucolic beauty of The Magic Apple Tree by Samuel Palmer, which he nominates as his favourite painting.
-
My favourite painting: Andrew Graham-Dixon'Lesson Number One: it’s the pictures that baffle and tantalise you that stay in the mind forever .'
