A triumph of creativity
Clive finds money isn't always the key to aesthetic achievements


The decorator Michael Inchbald wasn't David Hicks. Hicks turned himself into an international brand. Although Inchbald's name was given to the Inchbald School of Design, that institution has always been run by his first wife, Jacqueline Duncan. Inchbald's canvas was provided by the meeting places of the rich-homes, hotels, liners, Buckingham Palace.
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A glimpse into his world was given at Christie's last week, when Peter York spoke about his own home, Stanley House in Knightsbridge, the contents of which were going under the hammer. Inchbald had inherited the house, built in the mid 19th century, from an uncle and decorated it in the late 1950s. What a pep it must have given London in that grimy, unglamorous era.
Stanley House had swank. Made Regency, the façade was painted apricot. A row of black obelisks stood in the porch, their number repeated to infinity by judiciously placed mirrors. Inside, colour exploded from the walls. Exotic effects were achieved with silvered wallpaper. The furniture was sumptuously French. Each room was a surprise. Last week's sale realised more than £3 million, but money wasn't the key to this palace of delights. The Georgian front door was bought at Christie's for £12. What appeared to be marble was often ingeniously cut lino. Theatrical draperies added flourish at little cost. After half a century, the genius of it seemed as fresh as ever.
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Country Life is unlike any other magazine: the only glossy weekly on the newsstand and the only magazine that has been guest-edited by HRH The King not once, but twice. It is a celebration of modern rural life and all its diverse joys and pleasures — that was first published in Queen Victoria's Diamond Jubilee year. Our eclectic mixture of witty and informative content — from the most up-to-date property news and commentary and a coveted glimpse inside some of the UK's best houses and gardens, to gardening, the arts and interior design, written by experts in their field — still cannot be found in print or online, anywhere else.
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