Weddings: Why an afternoon beats an entire weekend
Getting married is, and should be, a very special day. But make sure it's only a day, says Annunicata Elwes.


With a familiar thud, a fat envelope lands on the mat – the higher the gsm, the louder the thud. I love weddings – all those popping waistcoats, church belters, wild dancers, weird relatives and wonderful hats – but my heart fills with dread when I tear open an envelope and a whole deck of cards tumbles out.
The wedding, yes, the breakfast, yes. The night before the wedding – hmm… Brunch, lunch and/or tea the day after the wedding – for goodness’ sake! All three and I curse romance in all its forms.
I like people very much, both friends and strangers, talking to them, eating with them, dancing with them, pinching cigarettes off them – all the usual wedding behaviours – but I’m no slave to love. The 12 labours of Hercules were a doddle compared to a summer full of three-day weddings.
When my parents were married, the form was a morning ceremony followed by Champagne and cake (a buffet lunch if you were lucky), then everybody scurried home early. Now, they go on into the evening, ending at midnight or shortly after in the civilised world, but have been known to last all night long – this, to me, is the optimum wedding formula, one stupendous day and night.
By all means, would-be-weds should arrange a get-together with family and close friends – it’s rare to have everybody in the same place – but don’t invite the whole blasted wedding party. My mother thinks I’m delightful, but even she doesn’t want to talk to me for 72 hours straight and what you may find charming and novel in my repartee one evening is sure to be repetitive the next.
Furthermore, what’s to prevent the embarrassment of not recognising one’s best bud of the night before, who has, confusingly, changed his/her clothes. The simple act of brushing one’s hair and taking off a cardie can confuse some men.
The horror of horrors is the do the day after. I have attended these events. To my shame, I’m enticed by the free food. The Sunday party is a casual affair, a barbecue or buffet. Those who attend are too tired to talk much. It usually rains. There isn’t enough seating. People hang around with friends because it’s less effort; they’d all rather be sleeping than scintillating.
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During one such day-after-the-wedding lunch, I was found curled up in a bundle with two girlfriends, near the coats. That’s where all sensible people should be after a daylong shindig – in slumber or travelling somewhere where this will be possible, to recover bright and bushy-tailed for the next joyful celebration of love.
Annunciata Elwes (neé Walton) got married in June - read her blog about planning a day which definitely lasted just one day and night
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Annunciata grew up in the wilds of Lancashire and now lives in Hampshire with a husband, two daughters and an awful pug called Parsley. She’s been floating round the Country Life office for more than a decade, her work winning the Property Magazine of the Year Award in 2022 (Property Press Awards). Before that, she had a two-year stint writing ‘all kinds of fiction’ for The Sunday Times Travel Magazine, worked in internal comms for Country Life’s publisher (which has had many names in recent years but was then called IPC Media), and spent another year researching for a historical biographer, whose then primary focus was Graham Greene and John Henry Newman and whose filing system was a collection of wardrobes and chests of drawers filled with torn scraps of paper. During this time, she regularly gave tours of 17th-century Milton Manor, Oxfordshire, which may or may not have been designed by Inigo Jones, and co-founded a literary, art and music festival, at which Johnny Flynn headlined. When not writing and editing for Country Life, Annunciata is also a director of TIN MAN ART, a contemporary art gallery founded in 2021 by her husband, James Elwes.
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