Whether you're performing a play or about to go on television, the waiting room is called the Green Room – but why is that? Martin Fone, author of 'Fifty Curious Questions', investigates.
Tom Sands brought the lessons he learnt from the California king of guitar-making back to Britain, where he makes stunning, personalised instruments for his clients. Tessa Waugh reports, photographs by Richard Cannon.
Annunciata Elwes is captivated by this quintessential production of a classic Russian ballet.
The Oxford of Inspector Morse: Dreaming spires, dead bodies... and lots and lots of pubs.
'I wisely started with a map and made the story fit,' JRR Tolkien once wrote. A new exhibition in Oxford – the writer's home for so many years – shows just how true that is, and offers a treasure trove for fans. Michael Murray-Fennell reports.
Scything was almost forgotten until Aidan Turner’s turn in Poldark, but Nigel Adams says there’s still a place for it. He spoke to Tessa Waugh; portraits by Richard Cannon.
Highclere Castle was made famous across the world as Downton Abbey – and the money that it generated saved this beautiful country home for future generations. But they're still moving onwards in a post-Downton world, as Octavia Pollock explains.
The best-known phrase for wishing an actor luck is also the most baffling. Martin Fone, author of 'Fifty Curious Questions', investigates.
Far from being the preserve of older devotees, church bell-ringing is increasingly popular with youngsters. Vicky Liddell meets the teenagers for whom the bell tolls.
Murder, animal cruelty and dishonesty aren’t generally considered child-friendly topics, yet they’re the basis of many much-loved nursery rhymes. Flora Watkins explains.
Our columnist Jason Goodwin considers the realities of everyday existence for the women kept in 18th century Ottoman harems.
Animal ‘actors’ are often remembered long after their human co-stars. Flora Watkins meets people who’ve worked with ravens, stags, dogs, horses–and cockroaches.
After watching new productions at a rate of about four a week, our theatre critic Michael Billington presents the brilliantly good, the excruciatingly bad and the movingly sad of this year.
Today, Alexander Campbell is a principal at the Royal Ballet. But for a long time it seemed that his destiny lay along a very different path. He spoke to Jeremy Taylor.
Corny, hammed-up, ritualistic – and yet Pantomime is still a hugely lovely theatrical format. Perennial pantomime villain Kit Hesketh-Harvey explains why.
What does it take to be a modern-day magician? Emma Hughes finds out. Main photograph by Richard Cannon.
For book lovers who never get the time to read, audiobooks can make a great present. We've picked out five fine options.
Handel's Messiah is more than just a wonderful piece of music: it's a Christmas tradition in Britain. Ysenda Maxtone-Graham takes a look at the story behind it and picks some of her favourite places to hear it being sung.
Nigel Havers boasts an acting career that spans six decades. He spoke to Jeremy Taylor about mastering the art of the dashingly handsome charmer – and the occasional cad.
