My favourite painting: John Lewis-Stempel
The award-winning Nature writer and regular Country Life contributor John Lewis-Stempel chooses a bucolic scene with quite probably the longest title of any artwork ever to feature on this page.
My Favourite painting series, from Country Life
The award-winning Nature writer and regular Country Life contributor John Lewis-Stempel chooses a bucolic scene with quite probably the longest title of any artwork ever to feature on this page.
Gavin Plumley, author and cultural historian, selects an unusual canvas with two painters credited.
Martha Lytton Cobbold of Historic Houses selects a magnificent depiction of the power of nature.
The journalist and art historian Nick Trend chooses a striking Jan van Eyck portrait.
Jamie Hambro picks Low Life by Edwin Landseer.
The thriller writer Felix Francis chooses a classic image by Munnings that 'perfectly sums up the excitement of horse racing'.
Hugo Barclay, director of the Affordable Art Fair, chooses an unusual Picasso.
Theatre director Greg Doran chooses a domestic work by one of the great masters.
The musician Sholto Kynoch picks a Caspar David Friedrich landscape.
Giles Coren picks 'an oil sketch gone wrong' by his school friend Jonathan Yeo.
Carmel Allen, managing director of Tate, chooses an unforgettable image from one of the Scottish Colourists.
The explorer Levison Wood chooses a dramatic portrait of war dating back 150 years.
Claire German of the Design Centre, Chelsea Harbour, chooses an incomparable Tudor portrait of one of the great men of his time: Holbein's portrait of Thomas Cromwell.
The art dealer Anthony Mould chooses a rarity: a human portrait by Stubbs.
Miranda Rock of the Burghley horse trials chooses a floral masterpiece bought almost 350 years ago by two of her ancestors.
Art historian Rose Balston chooses a Gentileschi classic.
The historian MOK O’Keeffe chooses a portrait which hangs in one of London's great houses.
The designer Graham Lloyd-Brunt picks a calming and peaceful image.
Freya Simms of LAPADA chooses an exotic 17th century image.
Oliver Spencer of Favourbrook picks a painting of cricket with colours 'to sear into your eyes, burn into the retinas.'