He was the artist who portrayed three queens, yet Howard Morgan (1949–2020) was an art dealer’s nightmare. The very genius that led him to paint Elizabeth II, the Queen Mother and Queen Beatrix of the Netherlands — as well as assorted real and theatre royalty — also made him unpredictable: ‘My clients always took a slight risk when they commissioned him, because he either pulled it off in a spectacular fashion or his likenesses fell short of expectations,’ recalls Sara Stewart, founder and managing director of Fine Art Commissions, an agency that matches prospective sitters with suitable portraitists. ‘Latterly, he was a tricky old rogue, who could drive dealers mad.’
Yet, she admits, ‘all of us would agree he was a one off and made the art world a richer place’. That is why, of all the many pictures she has seen and owned throughout her career, she is especially fond of one painted by him: a portrait of blues singer Lead Belly. It wasn’t done from life — the American musician died in December 1949, when Morgan was a baby — yet this doesn’t make it any less powerful.
The artist worked it up from a model in his studio, which, Sara says, is what makes it feel authentic (unlike portraits done wholly from photographs). He then brought it to life with vigorous brushstrokes, ‘the very, very strong shadow behind Lead Belly, which suggests the atmosphere of a smoky room’, and a generous use of red: ‘This painting makes me feel as if I’ve walked into a club. It has energy. It’s vibrant. It has atmosphere. It’s beautifully painted. The composition is great. It is everything a dynamic, figurative painting should be.’
Mood music: to see Howard Morgan’s portrait of Lead Belly is to enter a smoky jazz club
'When I look at this picture, I remember the unbelievably frustrating times dealing with a genius who was always broke, the laughs we had and the energy he brought to the art world'
Granted, the subject matter may leave something to be desired: ‘Lead Belly was the most awful man,’ concedes Sara, explaining that, in 1918, he was sentenced to 20 years for murder, but, a mere seven years later, ‘he sang for the Texas governor and pleaded for a pardon. He was let off and became a free man’.
Subjects were usually immaterial to Morgan, but Lead Belly’s particular history may have been a draw for him. He loved music, was fascinated by jazz — ‘his sublime The Golden Gate Quartet, reputedly owned by [Andrew] Lloyd Webber, is another example of his ability to express his joy of music in paint’ — and one of his best friends was singer George Melly. ‘This wicked man, who managed to get himself out of scrapes with his music, would have appealed to Howard’s character.’
Although Sara worked with Morgan for decades, she didn’t buy the portrait directly from him — she bid for it at an auction in France. It now hangs either at her studio gallery in Ham, Wiltshire — opposite a pair of gilt pillars that once belonged to John Singer Sargent — or at her premises in Ryder Street, in London’s St James’s, and it invariably captures the eye of every visitor. ‘I’ve got lots of clients desperate to buy it, but I just can’t let it go,’ confesses Sara.
‘When I look at this picture, I remember the unbelievably frustrating times dealing with a genius who was always broke, the laughs we had and the energy he brought to the art world. And I simply get lost in a beautiful painting.’
-
How one family went about creating a welcoming kitchen in one of England's neo-Palladian houses‘We were nervous about creating a kitchen in such a grand room.'
-
'A rare gem' of a country house, in 163 acres of the idyllic Colne Valley, just 50 minutes from the CityThe Regency-style Over Hall in Colne Engaine is a country house whose previous owner has spent 40 years getting everything just right. Penny Churchill takes a look.
-
The Falconer's Tale: Tommy Durcan on how an ancient art lives on in 21st century IrelandTommy Durcan of Ireland's School of Falcony joins the Country Life podcast.
-
‘She was absolutely extraordinary. One of my favourite things, photographing her, was the power that came through the door’: Rankin on capturing Elizabeth II, embracing artificial intelligence and almost becoming an accountantThe world-renowned photographer tells Lotte Brundle about his most memorable meal, with Liam Gallagher, Patsy Kensit, Elvis Costello and the bass player in The Pogues — along with the rest of his consuming passions.
-
'People always think that, working on The Telegraph, I'll be told that things aren't right wing enough. But in 37 years, I've never, ever been told that’: The Telegraph’s cartoonist Matt on his consuming passionsThe Daily Telegraph cartoonist Matt — AKA Matthew Pritchett — talks to Lotte Brundle about his career as a cartoonist, his love of Snoopy and how he ‘stole’ his wife from Laurence Llewellyn-Bowen.
-
Bunny Mellon: The Truman Capote ‘Swan’, muse and horticulturalist whose creations for The White House were recently lost foreverAs Tiffany & Co. pay homage to Bunny Mellon with a new Bird on a Rock collection, Owen Holmes takes a look at the most iconic garden designs of this heiress-horticulturist, from her Virginia estate to the White House to Versailles.
-
'Never has there been a more important time to publicise great Victorian and Edwardian buildings in peril': The importance of saving our historic buildingsFor the 16th year, the Victorian Society is calling on the public to nominate Victorian or Edwardian buildings in England and Wales that are in need of saving.
-
'These days, they have almost nothing to do with Advent and quite a lot to do with bath oil and mini bottles of perfume': A snob’s guide to advent calendarsSophia Money-Coutts questions whether advent calendars have gone too far.
-
Amelia Thomas: The woman who learned to talk to animalsAmelia Thomas, the real-life Dr Dolittle who spent years decoding how animals talk, joins James Fisher on the Country Life podcast.
-
‘So many of us look at the world through our screens and forget to pay attention to the world outside’: Katy Hessel on the world’s great female artists, why free entry to museums matters and her consuming passionsThe author of ‘The Story of Art Without Men’ speaks to Lotte Brundle about the dangers of AI, how she fell in love with the art world and why it’s okay that her favourite painting is by a male artist.
