The stained-glass maker: ‘It’s powerful, volatile… too overwhelming for domestic settings’
Thomas Denny makes windows that are not only pictures hidden in colourful patterns, but complex interweavings of naturalistic and biblical imagery, radiant and spiritual.
The neon sign maker: ‘Piccadilly Circus was our answer to Vegas – now it’s all pixellated screens’
‘Every time I come here, it blows my mind,’ admits Marcus Bracey as he approaches Gods Own Junkyard, his neon emporium in Walthamstow.
The putcher fisherman: Flying the flag for a dying way of life
Chris Cadogan, the only remaining fisherman to practice this medieval method on the Severn.
The sculptor: ‘Every day, I go into the studio in the morning and set about things. I don’t know any other way to live’
James Butler (MBE, RA, RWA, FRBS) is in his late 80s and still sculpting every day.
The glass-eye maker: ‘I make sure that the eye fits, but psychology comes into my work as well’
Jost Haas, the only remaining maker of glass eyes working in Britain today.
The ship’s figurehead carver: ‘It used to be a profession and every port would have had one, but now it’s a dying art’
In the expert hands of Andy Peters, pine is sculpted into a glorious array of decorative items, but the show-stopping figureheads that stand up to 15ft high are his bread-and-butter.
The glassblower: ‘When something goes wrong you can’t fix it – you just sling in into the bosh bucket and start again’
Ian Shearman's team of glassblowers are still making glass using a technique that's 2,000 years old.
The swill basket maker: ‘Even after 30 years, it’s still a challenge; every tree is different and each batch of baskets has its own journey’
You could travel many miles to find someone who relishes his working day as much as Owen Jones enjoys creating oak swill baskets.
The poppy maker: ‘I was very weak, very emotional and in a bad place when I started, but I’m back to my old self again now’
Wish Lloyd battled a traumatic childhood, the army, an athletics injury and homelessness to find his place at the Poppy Factory, making the poppies we wear every November.
The luthier: 'You don’t know if you’ve been successful until you put the strings on. That’s the moment when it comes alive.'
Tom Sands talks about his life making guitars – and pays tribute to his mentor, a 'cross between Gandalf, Yoda and Mr Miyagi from The Karate Kid.'
Credit: ©Richard Cannon/Country Life Picture Library
The Pigeon Fancier: 'I set up a deckchair in the garden and wait for them to come back. That’s the most exciting part.'
This week’s Living National Treasure is Colin Hill, a pigeon fancier whose birds regularly race from the tip of Scotland
The Florist: 'What I do is like good cooking – if you have beautiful ingredients, you can’t go wrong'
This week's Living National Treasure is royal florist Shane Connolly – and while he might be based in Britain, he's
The dry stone wall builder: 'Every metre of wall contains a ton of stone. You really feel it after a hard week.'
This week's Living National Treasure is Anthony Gorman, a man who has spent his life building beautiful walls by hand
The gold stamper: ‘The younger generation is very appreciative of artisan work – they’re the ones driving the trend’
This week's Living National Treasure is John Timms, the man who leads the team that stamps gold lettering into thousands
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This house in glorious technicolour is the perfect antidote for the grey days of a British winter — so why don't more of us live in brightly coloured homes?It's not often that you see a home sporting the colour palette that you'd get if you hired a four-year old as your interior designer. But why not? The Blue House in Bethnal Green asks this and many more questions.
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How common are you according to Nicky Haslam? Take our quizToday's quiz takes a detailed look at Nicky Haslam's annual list of things he finds common, and sells on a Christmas tea towel for £50.
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If chess is 'the supreme board game', then it deserves to be played on boards like theseChess sets and backgammon boards are a familiar sight on drawing-room tables, but one expert Highland woodworker is refashioning their forms in beautiful new ways.
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A slick looking off-roader that's a far cry from its rustic rural roots — Volvo EX30 Cross CountryThe latest iteration of Volvo's Cross Country is flashy, fast and stylish. But is that what a Volvo Cross Country is supposed to be?
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'Gems of enflamed transparencies, of bottomless blues, of congealed opals': Why glass was perfect for the elemental experimentalism of Art NouveauArt Nouveau masters such as Louis Comfort Tiffany and Émile Gallé turned the most fragile of materials into iridescent masterpieces that shimmered like seashells or glittered like Byzantine mosaics.
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Why you absolutely need an electric Bentley Blower furnished with Russian reindeer leatherA collaboration between Hedley Studios and The King's shoemaker George Cleverley has produced something rather remarkable. Jeremy Taylor goes for a drive.
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Kilt status: A history of the iconic Scottish skirt, from wartime wrap to punk protestEverything you need to know about the kilt — apart from what to wear underneath one.
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The Glovebox: Return of the Bentley Supersports, the ultimate rural Range Rover and the car collection fit for The KingA century after it was the first Bentley to top 100mph, the Supersports is back and looking better than ever.
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'The night smells like engine oil… and money': Singapore’s glittering night race paved the way for a new era of city-centre Grands PrixIt's the Las Vegas Grand Prix this weekend, but it and other city-centre Grand Prix would be nothing without trailblazing Singapore. Natasha Bird explains how the city state got it so right.
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McLaren's three Ellas and the future of motorsportMcLaren is rewiring the pipeline for women, on track and across the motorsport landscape
