What do Rihanna and a 19th century vegetarian activist have in common? This sprawling Tudor house that American money couldn't save

Melanie Bryan traces the history of Cassiobury House — and its bohemian inhabitants.

Cassiobury House
A photograph of Cassiobury’s Neo-Gothic exterior, taken in 1910 for Country Life architecture feature. The image was not published.
(Image credit: Country Life Image Library)

When George Devereux De Vere Capell, 7th Earl of Essex inherited Cassiobury House from his grandfather in 1892, it wasn’t, to be totally fair, in the rudest of health. But then, according to reports, neither was its new owner. His predecessors has invested considerably in rebuilding and decorating the family seat and stuffing it full with an impressive art collection, but fortunes had since dwindled.

In the 17th century, the sprawling Tudor pile had sprouted 'new' wings, designed by Hugh May and decorated with early examples of woodcarving by master craftsman Grinling Gibbons in what was believed to be his first major commission.

At the start of the 19th century, James Wyatt was brought in to modernise the property again. Thankfully, he left the majority of May and Gibbons’ work alone, but, externally, he added a somewhat controversial Neo-Gothic exterior and an orangery.

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Country Life Frontispiece of the Countess of Essex

A Frontispiece from an 1897 issue of Country Life in 1897 featuring the Countess of Essex.

(Image credit: Country Life Archive)

In the early 20th Century, a Country Life writer visited and their article struck a melancholic tone: 'Cassiobury has had its ups and downs, and is one of the too frequent examples that teach us that alteration is not always an improvement.'

When he inherited the house aged 35, Lord Essex was already a widower. His first wife, Ellenor, had died in 1885 at the tragically young age of 25 while in Cannes, leaving behind an infant son, Algernon, and a grieving husband.

Alone and not in the finest of financial positions, Lord Essex was forced into action. In 1893, he sold a myriad of valuable furniture and painting, including three works by J. M. W. Turner. And in December of the same year, he married the insuppressible Adele Beach Grant — an American socialist and vegetarianism activist. The wedding took place at St Margaret’s Church in the Palace of Westminster, and the bride wore a dress decorated with optimistic, silver sun rays. They honeymooned at Cassiobury.

'It would appear that this was not just a marriage of convenience — they actually liked each other'

Lady Essex was one of society’s savviest, smartest, roll-up-your-sleeves-and-get-on-with-it, so-called 'Dollar Princesses'. Her father made his fortune building railroads, but it would appear that this was not just a marriage of convenience — they actually liked each other.

This attachment to one another would come in handy when it became apparent that Lord Essex had inherited his family's passion, and total lack of skill, for playing cards, and Grant's father did one bad deal too many.

Lady Essex was not one to sit and bemoan her ill fortune and in a 1901 Rocky Mountain News article, titled 'The Poorest Countess', the writer describes how 'with pluck and enterprise this charming noblewoman has set to work to earn her living.’

The article went on to explain that Lady Essex was the brains behind a company that leased, furnished and let London apartments and had made a 'snug sum', concluding 'the poorest countess in Great Britain' is 'the happiest also.'

In 1902, at the Coronation of Edward VII and Alexandra of Denmark, Lady Essex was widely admired for her Russian-style Cartier tiara, reportedly fashioned from recycled diamonds from her family’s collection.

In 1904, Lady Essex announced that she was a vegetarian and began hosting fitness classes. The classes, which were held in fashionable Carlton House Terrace, comprised lifting and throwing exercises, and the swinging around of another exotic American import — the pumpkin.

By 1909, Lord and Lady Essex had rented out Cassiobury and auctioned off a few more artworks. Large swathes of parkland had also been sold to Watford Council for development purposes. And then the First World War hit. The grounds were quickly turned into a billeting area and, eventually, a Red Cross Hospital. Before the War's end, Lord Essex was hit by a taxi, suffered severe bruising and shock and, eight months later, was dead from an suspected heart attack.

Algernon took on the family title and Cassiobury, but was suffering from injuries sustained fighting at the front. In 1920, the 8th Earl made the decision to sell the house, but its poor condition made it impossible for him to find a buyer.

Further tragedy struck in late July 1922, when Adele, Dowager Countess of Essex, was discovered dead in her bath, also, seemingly, from a heart attack. Arthur Balfour, 1st Earl of Balfour, and Sir Winston Churchill attended the remarkable woman’s memorial service.

A few weeks later, it was announced that Cassiobury had been purchased by a syndicate who set about the stripping it, Grinling Gibbons and all. Little remained by 1927.

Cassiobury House

The intricately carved staircase which now holds pride of place in the English Gallery at The Met.

(Image credit: Country Life Image Library)

Two parts made their way back to the Dowager Countess's native New York: a large consignment of Tudor bricks and a magnificent staircase, later attributed to Edward Pearce, which is now on display in the Metropolitan Museum of Art's (The Met) English Gallery.

And, finally, the magnificent Essex Tiara — it is still rented out, on occasion, by Cartier. Clementine Churchill wore it to the Coronation of Elizabeth II in 1953, and more recently, in 2016, it adorned the head of pop princess Rihanna on the cover of W magazine. Like the sun rays on Adele’s wedding dress, her legacy still shines bright like a diamond.


The Country Life Image Archive contains more than 150,000 images documenting British culture and heritage, from 1897 to the present day. To search and purchase images directly from the Image Archive, please register here.

Melanie Bryan is a freelance picture editor and writer, and the former Archive Manager at Country Life magazine. She has worked for national and international publications and publishers all her life, covering news, politics, sport, features and everything in between, making her a force to be reckoned with at pub quizzes. She lives and works in rural Ryedale, North Yorkshire, where she enjoys nothing better than tootling around God’s Own County on her bicycle, and possibly, maybe, visiting one or two of the area’s numerous fine cafes and hostelries en route.