Lord Foster's design — with statues, pathways and a translucent bridge — chosen as the Queen Elizabeth II National Memorial in St James's Park
Norman Foster's design, created with the artist Yinka Shonibare and the landscape designer Michel Desvigne Paysagiste, has been chosen as the permanent memorial to Queen Elizabeth II.


The Foster + Partners design with Yinka Shonibare and Michel Desvigne Paysagiste was announced as the winner after a six-week public consultation looking at five shortlisted proposals for a permanent national memorial to the late Queen Elizabeth.
The eyecatching centrepiece of the memorial is the translucent Unity Bridge, but it's an ambitious plan than completely reimagines a huge swathe of St James’s Park, which will feature sculptures of Queen Elizabeth II and Prince Philip, a relocated Marlborough Gate, and an entirely new 'Prince Philip Gate' entrance.
The park, which sits between Buckingham Palace and Westminster Abbey in the heart of Central London, was originally designed in 1820 by the architect John Nash. While the winning design embraces the tranquil calm of the original — with a natural tesselated path weaving through the trees — many of the elements introduced by Foster, Shonibare and Paysagiste are very much 21st century.
'The Commonwealth Garden and Yinka Shonibare’s Wind Sculpture define a space for reflection and shared experience,' read the notes on the winning design. 'The Community Garden’s artistic installations celebrate the diversity of the United Kingdom; and the Unity Bridge is a jewel crowning the path and Memorial journey.'
The elements on show are more than just visual, howver:
'Throughout, the Queen’s voice is ever present through audio installations and inscriptions, alongside an ever-evolving digital conservatory, accessible from the site, or anywhere in the world,' the notes conclude.



All five of the entrants chose the lake — a remnant of the lost River Tyburn — as a focal point of the work, which has a budget of between £23 million and £46 million.
Exquisite houses, the beauty of Nature, and how to get the most from your life, straight to your inbox.
Tom Stuart-Smith National Monument design for Queen Elizabeth II
One proposal, from Heatherwick Studio (above; with Halima Cassell, MRG Studio, Webb Yates and Arup), incorporated a Memorial Walk and a 'Bridge of Togetherness' made from 70 giant, limestone lilypads (one for each year of the Queen’s reign), with a statue in the middle beneath a canopy of eight sculptural lilies. It was perhaps the most flamboyant option, and attractive, even if it might have made St James’s Park look like Singapore.
Tom Stuart-Smith National Monument design for Queen Elizabeth II
Another entrant, from Tom Stuart-Smith (with Jamie Fobert Architects, Adam Lowe (Factum Arte) and Structure Workshop) would have centred on an exact cast of the 900-year-old Signing Oak in Great Windsor Park, which would have been made to 'float' on a plinth in the lake, glimmering and majestic, connected to a path made of stones from all around Britain, ‘from Caithness to Cornwall’. This design also called for a new entrance on The Mall, a figurative sculpture of the Queen, and a ‘soundscape of memories’ playing authentic sounds of the Commonwealth.
WilkinsonEyre National Monument design for Queen Elizabeth II
Wilkinson Eyre’s proposal (above; with Lisa Vandy and Fiona Clark, Andy Sturgeon Design, Atelier One and Hilson Moran), would have created ‘a thread of pathways and landscapes gently woven through the natural fabric of St James’s Park — its trees, lake, and terrain — creating a contemplative journey intened her seven decades of service’. Including a pair of bridges, the threads were designed to represent ‘defining themes of Her Majesty’s life: Reign, Faith, Commonwealth, Values, Nature, Family, and Prince Philip’.
Foster+Partners National Monument design for Queen Elizabeth II
Lastly, J&L Gibbons wished to create ‘a meandering flow of geology carrying people through an ephemeral choreography of blossoming and colour beneath the high tree canopy’; it would have been a bridge ‘over soil, tree roots and water’ made from stone from the four nations and stretching from The Mall to Birdcage Walk, inspired by the ethos that the Queen was the nation’s bedrock. Various paths lead to places such as a Whispering Walk and Magnolia Glade.
Creating a space for reflection was at the core of the design brief, but other factors, such as value for money, visitor experience and sensitivity to the original masterplan for the Grade I-listed park, are important. A separate search for a sculptor to work alongside the winner is ongoing.
Visit malcolmreading.com/queenelizabethmemorial/gallery for more information about the winner and all the entrants.
Annunciata is director of contemporary art gallery TIN MAN ART and an award-winning journalist specialising in art, culture and property. Previously, she was Country Life’s News & Property Editor. Before that, she worked at The Sunday Times Travel Magazine, researched for a historical biographer and co-founded a literary, art and music festival in Oxfordshire. Lancashire-born, she lives in Hampshire with a husband, two daughters and a mischievous pug.
-
A hoover for goose droppings, a tree-planting battle with the Hilton, and a disgusting banana: Inside Buckingham Palace and its gardens
The summer tours of The King’s residence this year include two new state rooms and a peep inside his private gardens.
-
A six-bedroom modern masterpiece mere minutes from Europe's best golf course
Villa Stern catches the eye with its distinctive design, and is imbued with luxury inside and out.
-
'The greatest collection of Surrealism to emerge in recent history’: The contents of iconic art collector Pauline Karpidas’s London home are heading to auction
Works by Andy Warhol and Pablo Picasso are included in the sale of the items in the collector's apartment which overlooks Hyde Park.
-
The piece I'd never part with: A portrait of blues singer Lead Belly by the 'tricky old rogue' who accidentally kicked one of the Royal corgis
A vigorous portrait of blues singer Lead Belly rekindles art dealer Sara Stewart’s memories of the infuriating genius Howard Morgan.
-
Maria de la Orden’s consuming passions: Dark chocolate, Hockney and the diamond accessories that remind her of her family
The Paris-based designer of sophisticated clothing gives Country Life a peek into the things she loves the most.
-
Levison Wood: Trekking the Nile, near-death experiences and why nothing beats a cup of tea and a piece of toast
The adventurer, explorer, writer and film-maker Levison Wood joins James Fisher on the Country Life Podcast.
-
Is there enough beauty and hope left in the natural world to counter the current state of global despair?
Trees are dying, our food is covered in chemicals and we are stuck in a deteriorating international security situation.
-
Bruce Hodgson: Artichoke's founder on catflaps, carpentry and the future of crafts
Bruce Hodgson, one of Britain's best furniture makers and carpenters, joins the Country Life Podcast.
-
The never-before-seen photographs of The House at Pooh Corner that were taken by Country Life when A. A. Milne and his son Christopher Robin called it home
Every Monday, Melanie Bryan, delves into the hidden depths of Country Life's extraordinary archive to bring you a long-forgotten story, photograph or advert.
-
A duchess, a Nazi and a socialist walked into a room: The celebrated and scandalous Mitford sisters reunited
India Knight, the author of ‘Darling’, a retelling of ‘The Pursuit of Love’ by Nancy Mitford imagines what might happen if the six Mitford sisters reunited in 2025.