‘My wife inspired the whole thing’: Michael and Clare Morpurgo on the charity connecting children with the countryside and predestined love
Lotte Brundle meets Michael and Clare Morpurgo to discuss love at first sight, the 50th anniversary of their countryside charity and Michael’s latest book.
It was written in the stars, perhaps. All signs pointed towards Sir Michael and Clare, Lady Morpurgo ending up together. Their love story began long before either of them was born; before they had met, their ancestors' paths had crossed multiple times.
In the 1780s, James Dunn, an ancestor of Clare’s, saved a man's life. That man was John Wesley, Michael’s ancestor. This is just the first of an almost unbelievable set of connections that have been pulling Michael and Clare towards one another over the years.
The second has to do with publishing. Clare’s father Sir Allen Lane co-founded Penguin Books, which had a lot to do with the encouragement of his mentor, John Lane (who Allen took his surname from — this is a long story). At the beginning of the First World War, Michael’s grandfather Emile Cammaerts was setting-up a relief fund for Belgian orphans that had fled to Britain. To raise money for them, he decided to create a fundraising book. That book was published by John Lane.
Michael and Clare met in 1962 and married the following year.
The next connection came after the Second World War, when Allen Lane appointed a new history editor at Penguin Books — Jack Morpurgo, Michael’s step-father. And finally, in 1960, Allen Lane was in the dock of the Old Bailey for the Lady Chatterley Trial, accused of publishing an ‘obscene’ book. Clare was there with her mother to watch — as was Francis Cammaerts, Michael’s uncle. A distinguished teacher, Cammaerts was called as a defence witness in the trial and spoke in favour of Lane. Penguin Books won the case.
Clare and Michael finally met in Greece in the summer of 1962. It was ‘Coup de foudre,’ Michael writes in his new book Down Burrow Lane: Life and Love on the Farm, the launch of which will be ticketed and held at Netherwood Estate in Herefordshire on July 24. The book itself is published in September and is, as Michael writes, ‘in truth, mostly the story of Clare’.
He describes her as his ‘Juliet’ upon first meeting. ‘Tongue-tied, I was… Not a word could I utter. I simply gazed at her.’ Clare merrily admits that her first impressions matched up: ‘He was very gorgeous,’ she brags, although in his book Michael seems to remember things differently, recalling that Clare told her sister afterwards: ‘He’s fine, very sweet. Just right for you.’
Michael and Clare at The Festival of Writing and Ideas.
That they were head over heels for one another, I have no doubt. The pair married aged 19 and 21 and, 63 years later when I meet them on a sunny day at Fulham Palace in London, they appear just as besotted with each other as ever.
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I had set out to interview Michael alone — the author of War Horse, Private Peaceful, Kenzuke’s Kingdom and more besides is worthy of a solo slot. But then Clare arrived with him. She is bright and sparkly and doesn’t seem at all her age (84). It is she, I come to realise, who is the biggest part of the Michael Morpurgo story and, I suspect, it is Michael’s relationship with her that has inspired many of his best novels. Indeed, she mentioned he should look into horses in the war, which in part led to the writing of War Horse.
Fifty years ago, the pair started the charity Farms for City Children — a project to help school children who may not otherwise get to experience the countryside. This is the main subject of Down Burrow Lane. ‘The myth is that it is “Michael Morpurgo” who does this, and it is absolutely the opposite,’ Michael says. ‘Clare inspired the whole thing, right from the start — it was important to set the record right.’
Michael and Clare in 1976...
And today, where they work on their charity Farms for City Children together.
Your aesthetic heroes
Michael: My hero is another writer whom I would very much like to model myself as, and that’s Robert Louis Stevenson. He was a lovely man and he had very strong principles. I have a great respect for him — he’s the writer I most want to be.
Clare: It’s not something I think about much, but I have just finished reading Brick Lane, by Monica Ali. I would love to meet her. It's a fantastic story, so I’d choose her. I haven’t got a hero like Michael, or a heroine. Joan of Arc used to be my hero, or heroine, but that answer is a bit antique these days, isn’t it?
Exhibitions that have impressed you
Michael: I remember going to a place in Amsterdam where there were a couple of hundred paintings by Van Gogh. It was interesting, actually, because you see them reproduced and reproduced and reproduced, and then suddenly you're standing in front of them, and it is a different thing to be there and close to them. I'm always fascinated by the lives of these people, particularly people like Van Gogh, who had no recognition whatsoever in their lifetime.
Clare: We went to Thomas Jefferson’s house, Monticello. It wasn't strictly an exhibition, but it was amazing to think about — that all that time ago, he brought so much stuff back from Europe. It was almost like a European house in America. It was very beautiful.
'Self-Portrait with Felt Hat', 1888, by Vincent van Gogh.
The last things of note that you bought for yourselves
Clare: Last week Michael bought me a hat — it’s a very sweet straw hat that is embroidered all over with daisies.
Michael: That was quite funny, actually, because we saw it in the shop, and she's very against buying new clothes. She thinks they should all be second hand, but she needed one because it was hot. Anyway, we bought it and we came out of the shop. I said: ‘It must be made by some wonderful designer because it’s so lovely, let’s look inside and see who it’s made by.’ And it said ‘Shein’.
Your favourite paintings
Clare: I used to say Salisbury Cathedral from the Bishop's Grounds by Constable, but I wouldn’t say that now. You say what you think, Michael. I’m just thinking.
Michael: I think the painting that has meant most to me is the one Clare’s wearing on her shirt [a Quentin Blake piece celebrating Farms for City Children]. I think he's a great artist. He has managed to capture [in this painting] in about four and a half geese and a child what the whole world is like for us down in Devon. So that’s why it's my favourite painting.
Clare: I tell you what I love, Eric Ravilious. And we knew his son very well too.
Michael: We both share Eric Ravilious, and I have Quentin Blake and she has Constable.
The possessions that you’d never sell
Clare: The silver teapot.
Michael: Ah, yes, the first thing we ever bought together. In Hampstead, when we were living in a £5-a-week flat — if you can believe that? — there was a wonderful silver shop, and this very lovely silver teapot and we had it and used it and used it and used it.
Clare: I’d never sell that.
The books you’ve found inspiring
Clare: Brick Lane, which I mentioned before.
Michael: I think the book which I have dipped into the most over the years is a wonderful poetry anthology by Ted Hughes and Seamus Heaney called The Rattle Bag. It has about 500 poems inside and the wonderful thing about it is that you never tire. We keep it in our bathroom. It’s wonderfully familiar and, for me now, I think familiarity is quite important. Clare's very good, she reads new stuff. I tend to like the remembered things, and we knew Ted Hughes quite well — so the book is quite important to us anyway. I think a book that I really treasure has to have some kind of association to do with the people who made it.
Who would play both of you in a film of your lives
Michael: I’d probably like to be Paul Newman. She’s thinking: ‘Yeah, I’d like you to be Paul Newman too!’
Clare: No, I wouldn’t actually. I’d like you to be Gregory Peck. And, how about that lovely lady in the film for me?
Michael: Can I choose one too please? If you’re asking me to choose the love of my life on film, I’d pick Audrey Hepburn. They were in that film together called Roman Holiday.
The music you work to
Michael: Again, I think we now have favourites that we listen to pretty much again and again and again. Of the classical composers, I'm really rather transfixed by Mozart. I like choral music, church music of the 18th and 17th centuries, because that's what I used to sing when I was a young boy, but I also want to mention the Scottish group, The Proclaimers, and The Traveling Wilburys.
Clare: There was a lovely duo that we saw play classic guitar in Petworth. John Williams and Julian Bream. The other person that we love is Joan Baez. We are of our time.
The last podcasts you listened to
Clare: Michael listens to a lot.
Michael: Short History Of…, which I listen to a lot in the night, because there’s always one that I haven’t heard of.
Clare: I listen to the radio when it’s on, and that’s about it.
What you’d take with you to a desert island
Clare: The first thing that came into my head was a bathing costume, but I wouldn’t need one, would I? So probably, I’d take a knife.
Michael: To defend yourself or cut through things?
Clare: Everything. It would be very boring not to have a knife.
Michael: You’re so practical. That’s very interesting, because when I was on Desert Island Discs I didn’t know what to take, so I asked my granddaughter and she said a waterslide.
The thing that gets you up in the morning
Michael: Um… [after a pointed look from Clare] getting breakfast for my wife. She’s not a great getter-upper.
The hotels you could go back and back to
Michael: When I was young we used to go to a hotel outside Venice, The Cipriani. It was wonderful because you’d wake up and open the window in the morning onto an extraordinary Italian landscape.
Clare: Another hotel is the Grandes Ecoles in Rue Cardinal behind the Panthéon. It has a garden which feels so huge in Paris, and blackbirds, and there are no televisions in the rooms. They are quite small rooms, as is the way in Paris, but they look after you nicely.
The most memorable meals you’ve ever eaten
Michael: Clare cooks a really good mushroom risotto, and I always look forward to that. And for pudding, just at the moment, I really like strawberries and yogurt.
Clare: I think probably a risotto or kedgeree.
The best presents you’ve ever received
Michael: This is the most difficult interview I’ve ever had.
Clare: You quite like surprises.
Michael: I do. Let’s see. I know it sounds strange but I actually think the pair of slippers you gave me one Christmas, which are unbelievably comfortable.
Clare: I am thinking of mine. Are you thinking what mine might be?
Michael: No, I am not going to tell you what you think.
Clare: Go on, think of something that I liked, and that I was surprised by.
Michael: Well, over the years I have given Clare jewellery from a wonderful Jewellery maker who lives in Devon, called Charmian Harris. I think her necklaces are the nicest things I’ve ever given her.
For tickets to the launch of Michael’s new book 'Down Burrow Lane: Life and Love on the Farm', at Netherwood Estate in Herefordshire on July 24, see here. 'Down Burrow Lane: Life and Love on the Farm' will be published in September, and available in all good bookshops. For more information on Farms for City Children, see here.

Lotte Brundle joined Country Life as their Digital Writer in 2025. She was previously a sub-editor on the news desk at The Times and The Sunday Times as part of their graduate trainee scheme. Before that she was The Fence's editorial assistant. She has written features for The Times, New Statesman, Metro, Spectator World, The Fence and Dispatch. She coordinates Country Life’s weekly digital Q&A interview series, Consuming Passions.