In Focus: The rural Surrealist bringing a touch of Dalí to the Cotswolds
Surrealism meets romance and whimsy in the work of David Blakemore, as Jane Wheatley finds out.
Surrealism meets romance and whimsy in the work of David Blakemore, as Jane Wheatley finds out.
The Queen's milliner Rachel Trevor-Morgan picks Lady Agnew of Lochnaw by John Singer Sargent.
The landscape architect picks out a dramatic biblical image given new life by 'Il Fiammingo'.
Food writer Ameer Kotecha chooses a picture whose creator clearly loves food as much as the rest of us.
The artist Daniel St George Chatto chooses perhaps the most famous sequence of paintings from the early Renaissance: Giotto's Scrovegni Chapel in Padua.
The former soldier, author and double amputee Harry Parker on how The Duchess of Cornwall helped him rediscover his creativity. Interview by Paula Lester; portrait by Clara Molden.
Saad Eddine Said of the New Art Exchange chooses a fascinating modern painting that's full of classical influences.
The visual-arts advisor and curator at Chichester Cathedral chooses a huge painting that is 'an assault on the senses'.
Paul Chesney of Chesneys Fireplaces chooses a classic Renoir.
Teresa Dent of the GWCT chooses a glorious Renaissance masterpiece.
Henry Moore achieved international fame as a sculptor, despite once being denounced for promoting ‘the cult of ugliness'. And he also remained a most unassuming man, finds Laura Gascoigne, as two new exhibitions of his work prepare to welcome visitors.
The director of Chiswick House chooses a dramatic 17th century portrait.
The famous bronze lions that stand guard at Trafalgar Square are among the world's most famous sculptures. Jack Watkins takes a look and pays tribute to their creator, Sir Edwin Landseer.
The Antiques Roadshow expert picks A Muse by Cosimo Tura.
The farmer on The Three Ages of Woman by Gustav Klimt.
Her Majesty Queen Elizabeth II has been painted literally thousands of times since she came to the throne. Charlotte Mullins reveals some of the secrets behind seven of the most recognisable.
Andrew Carwood, music director of St Paul's Cathedral, chooses a magnificent altarpiece.
Walter Sickert introduced Victorian Britain to Modern art, yet is best known for his drab-toned nudes on iron bedsteads. Mary Miers considers the career of an individualist who was both radical and charming.