Country mouse: The magic of Exmoor
The wet start to the year has been followed by a balmy spring on Exmoor, which is being enjoyed by the lambs and the ponies alike


Oh to be on Exmoor now that April's here. Usually, the moor, creaking to life, is covered with a pallid, sepia wash. This time, the mild, wet weather that so devastated Somerset's flatter ground has given it an astonishingly verdant tint. The native ponies, all bleary eyes and Thelwell- cartoon furriness, can't believe their luck; February's annual count of the red-deer herd was healthy; and sheep farmers have only had to battle sleep deprivation instead of the horizontal hail that Exmoor often delivers in this month.
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Hunting men from up country, whose sport finished in March, have long known that Exmoor in April is heavenly, as depicted in the paintings of Munnings, Aldin and Edwards, who made annual pilgrimages with their wives, horses, dogs and easels. Devotees of the legendary Heythrop master Capt Ronnie Wallace, who liked to bring his hounds to the West Country to try to catch a May fox, would colonise moorland villages during Easter, filling stables, hotels and tea rooms.
The Hunting Act 2004, with its tedious two-hound rule for flushing out quarry, makes life arguably more difficult for the Devon & Somerset Staghounds than any other pack, but the midweek meet at Landacre Bridge was supported by plenty of visitors, drawn to its otherworldly landscape. Exmoor still has its magic.
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Country Life is unlike any other magazine: the only glossy weekly on the newsstand and the only magazine that has been guest-edited by HRH The King not once, but twice. It is a celebration of modern rural life and all its diverse joys and pleasures — that was first published in Queen Victoria's Diamond Jubilee year. Our eclectic mixture of witty and informative content — from the most up-to-date property news and commentary and a coveted glimpse inside some of the UK's best houses and gardens, to gardening, the arts and interior design, written by experts in their field — still cannot be found in print or online, anywhere else.
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