A window on the wild: The best of British wildlife photography
This year’s British Wildlife Photography Awards celebrates the wonder of the natural world. Whether it’s a patchwork leaf-cutter bee hard at work or the springtime spectacle of boxing hares, here’s our pick of the best shots
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Hello petal: A shower of pollen is scattered by a foraging bee illuminated in the glow of the sun in Alison Bell's highly commended 'A Kind of Magic'.
A camouflaged flower crab spider blends in with the colour of the blooms in the hope of ambushing any unsuspecting bees, moths and other insects in Adam Ferry's 'Waiting on a Daisy'.
Turning heads: Cate Barrow attracts the icy stare of a short-eared owl in her 'Upside Down Owl'
More than 250 of the winning and shortlisted images are published in 'British Wildlife Photography Awards Collection 14' (£35, Graffeg Books). Entries are now open for the 2027 competition.
Trouble afoot: A plucky juvenile starling struggles to escape the clutches of a sparrowhawk in Mark Parker's 'Nemesis', winner of the Animal Behaviour category.
'So glad you could come': A dew-doused azure damselfly appears to beckon the viewer through a nibbled leaf that forms Lee Frost's 'Nature's Window'.
Someone to look up to: A fox cub is a study in adoration under the watchful care of its mother in Victor Soares's 'Admiration in a Fox's Eyes'.
When time flies: A flurry of feathered seeds dances from the shaken head of a delicate dandelion clock as a bank vole contemplates sinking its teeth into the stem in Paul Williams's 'Zephyr'.
Flyleaf: a patchwork leaf-cutter bee in Chris Jackson's 'Bringing in the Leaves', which was highly commended in the Hidden Britain category. The bees cut discs out of greenery and glue them together with saliva to build cells to house their larvae.
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