In classical times this bird was sacred to Aphrodite and for millennia served as an erotic symbol
The braying cacophony of a greylag goose flock in full chorus has made the breed unlikeable, despite their amorous connections, writes Mark Cocker.
It is remarkable to reflect on the cultural stories that attach to our only native breeding goose, the greylag. In classical times, it was a bird sacred to Aphrodite (or Venus). For millennia, it served as an erotic symbol and a faint vestige of this is apparent in the nursery rhyme Goosey Goosey Gander, wherein a male bird is up to mischief in my lady’s chamber.
You could also argue that greylag geese changed the course of Western history. A flock of the goddess Juno’s sacred wildfowl was kept on the Capitoline Hill in Rome and it famously gave the alarm that thwarted the attacking Gauls in 390BC. Less well known is the fact that the species was first domesticated by ancient Egyptians, from whom the practice slowly spread worldwide.
Greylags and their offspring.
Alas, none of these reflections has much impact on modern British attitudes to greylags. They are possibly the least loved of our native birds and I must declare my own bias: I cherish the music generated by our avifauna, but not the calls of this species. It may have saved ancient Rome, yet there is a nails-on-blackboard quality to that braying cacophony of a greylag goose flock in full chorus.
It was once a rare sound in Britain. Greylags had been resident across the country until they were largely exterminated by the mid 19th century, primarily by wetland drainage. The only indigenous breeding population survived in northern and westernmost parts of Scotland, although these islands have always been a location for wintering flocks coming largely from Iceland. All this was turned around in the 20th century, when greylags were reintroduced, especially in East Anglia, Kent, southern Scotland and the Lake District.
Wildfowlers seeking to re-establish a valued sporting bird were party to those efforts and they, in turn, were aided by the widespread construction of new reservoirs or the development of gravel pits. A bird that weighs 7lb has few natural predators and, as the Gauls learnt to their cost, it is a hyper-vigilant creature. Greylags soon started to nest successfully at the suite of new wetlands and the sight of fluffy yellow-green goslings pootling in the wake of their parents became commonplace. However, what lay behind that cute tableau was already rather alarming.
In Orkney there are said to be 24,000 resident greylags, topped up in winter by large flocks of migrants.
Introduced greylag numbers were thought to be increasing at 10% a year: small wonder, perhaps, that the bird was an ancient fertility symbol. By the 1990s, there was a nominally two-part population, with reintroduced feral birds reaching 14,000 pairs and the older native Scottish stock at about 4,000. This century, any sense of separation between the two vanished as the species completed an expansion calculated at 700%. The combined greylag total is 47,000 pairs and only south-west England, south-west Wales and north-eastern Scotland now lie outside its breeding range.
It is mainly in the north that the agricultural impact of grazing geese is contested. Crofters claim that they damage crops and have a disproportionately large impact on their often low-input, low-yield agricultural methods. As recently as spring 2026, the Scottish minister for agriculture announced £1 million would be spent to mitigate damage. Another archipelago adversely affected is Orkney, where there are said to be 24,000 resident birds, topped up in winter by large flocks of migrants.
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Many have set up 'hunting holidays’, where excess greylags are taken for sport.
Farmers complain of their depredations, with one lamenting that his 100 scarecrows were barely deterring them. Another concern — not only in Orkney — is the vast quantity of droppings they deposit. These have been linked to the spread of campylobacter, a contagious pathogen that causes the death of calves or young cattle, but can also infect humans.
One ‘solution’ pursued in Orkney has been ‘hunting holidays’, where excess birds are taken for sport. This has become a source of further discord for those who insist Orkney should be a refuge for birds.
The only point we can conclude about these disputes is a constant refrain about all the species in the Unloved Birds’ Club: an issue presumed to arise in human-bird relations is quickly lost beneath the loud greylag-goose-like clamour between ourselves.
This feature originally appeared in the August 19, 2026, issue of Country Life. Click here for more information on how to subscribe.
Mark Cocker is a naturalist and multi-award-winning author of creative non-fiction. His last book, ‘One Midsummer’s Day: Swifts and the Story of Life on Earth’, is out in paperback. A new book entitled 'The Nature of Seeing' will be published this year by Jonathan Cape.